Like everyone else, I made my own festival, which meant I missed as much as I heard.
#DISNEY FLUTE MUSIC HOW TO#
Phil commissions), you first had to figure out how to be two places at the same time. If you wanted to catch all 12 world premieres (five of them L.A. Otherwise, there were musicians from all around town playing, ofttimes simultaneously, in the venue’s BP Hall, Keck Amphitheatre, big hall and plaza out front. Phil New Music Group required an additional ticket. Only an hourlong evening Green Umbrella concert by the L.A. Conducted by Dudamel, that opens Thursday night.Īt “Noon to Midnight” on Saturday, five bucks, proof of vaccination and a mask for indoors bought you access to almost everything in, around and about Disney Hall. Phil managed to pack another “Noon to Midnight” into a weekend when the orchestra was otherwise performing Bruckner’s big Ninth Symphony under Zubin Mehta and preparing a staged production of Beethoven’s opera, “Fidelio,” with Deaf West Theatre. But, somehow, the $100-million-poorer-yet-no-less-irrepressible L.A. Two pandemic years later, we might hardly expect a weekend so extravagant. The event was packed into a weekend when Gustavo Dudamel was leading the first performance in the hall of Mahler’s massive Eighth Symphony and preparing a historic production of Meredith Monk’s opera “Atlas,” which served to revive a neglected modern masterpiece. Phil’s unprecedentedly ambitious (and expensive) centennial season. That was June 2019, and “Noon to Midnight” was included in the climax of the L.A.
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The last time the Los Angeles Philharmonic mounted its annual 12-hour new-music bonanza, the orchestra was on the top of the world.
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After two years of so many of us perpetually worrying day and night about COVID-19, Walt Disney Concert Hall welcomed audiences back for the sunny afternoon, warm evening and late-night chill of “Noon to Midnight.”